Submissions

Source: AUD -> unknown equipment -> DAT master -> DAT clone to Y.P. Lineage pt. 1: DAT clone -> Sony TCD-D100 -> optical -> Hucht Copyprocessor -> Coax -> Tascam DA-30 @ 32 kHz -> DAT -> mail from Y.P. to Joel C. -> DATs enjoy a nice cruise across the Atlantic... Lineage pt. 2: DAT recieved by Joel C. -> Tascam DA-20 MKII (digital out) -> RCA > Avid MBOX 3 (s/pdif in) -> Adobe Audition WAV (16 bit, 32 kHz) -> trim silence at beginning and end -> normalize to -0.1 dB -> resample to 44.1 kHz for CD burning -> split tracks -> WAV 16/44 Notes: this recording could maybe benefit from spectral denoising but I figured it's best to share with the community without heavy edits. Reach out to me if you would like the master files please, and thanks to everyone that made this project possible

source : MD (AUD) > CDr lineage : em-8 + sharp MD-MS702(H)

source : MD (AUD) > CDr notes: OK capture, not the best, but I'll take anything in any quality from 2002. thanks to Emmanuel for sharing this one

Thanks to reddit user thingsfallingapart for providing me with the recording of this show. (It's a soundboard rip, BTW)

source : MD(AUD) > CDr > FLAC taper : ben kingsbury (thanks !)

Mic (Sony ECM-DS70P) --> iriver H120 with rockbox (www.rockbox.org) - 16/44 uncompressed --> SoundForge (slight EQ, smooth compression, start/end fades) Thank you to Jessica, Efrim, Scott, Thiery, Beckie, Ian, Sophie and the sound/venue people for the wonderful show! Hope you have a good tour in N-America, then come home exhausted but fulfilled. Thank you to Jerusalem In My Heart for the mezmorizing opening piece! The intermission was actually over 20 minutes long. I drew curtains on it and made it only a minute to spare you the bore of listening to crowd noise. Hopefully it will be transparent.

Taper: RITaper Location: centre, back of pit, in front of FOH mixer Source: (AUD) Google Pixel 4a (Audio Recorder by Axet) > FLAC (16/44.1) Lineage: Source > REAPER v7.41 (mastering) > FLAC (level 8, 16/44.1) Mastered by RITaper Notes: Apologies for the wonkiness during BBF3, along with the occasional changes in treble. I had to move around a bit to let some people through. I intended to use my actual recorder (Zoom H4n Pro,) but I forgot my SD card as home, so I had to make do with my phone. Mastering details - EQ, multiband compression on bass, stereo widening on treble, general stereo widening, resonance reduction via soothe 2. Additional resonance reduction done with ZL Equalizer

Taper: IJ Source: AT853 C (4.7k mod) > Deity PR-2 (24/48) Conversion: Deity PR-2 > USB > Reaper 7.30 (Equalizer, Normalize, Fades) > CD Wave 1.98 (Tracking) > TLH (FLAC 24/48)

LINEAGE: Shure MV88 > IPhone 14 Pro > MOTIV Audio App WAV > Mastered and split in Adobe Audition to 24bit FLAC COMMENTS: Godspeed take two...This time my recording of them didn't turn out terrible, in fact, it turned out great! (In my opinion). Their set was a bit shorter than the last time I saw them, and the audience was more rowdy but I still enjoyed this show almost as much as OKC 2022. I was located basically in the same spot I was for OKC (right in front of Moya) but this time I elected to point my microphone at one of the speakers on stage facing the audience instead of Moya's monitor. For the opener I placed it next to his amplifier, so the vocals are a bit obscured. I couldn't identify any of the songs they were playing, if you know then feel free to tell me! Sounds better than it did live I was there this evening, right next to a wall. The bass was absolutely deafening. My bones rattled. It was an incredible show and thank god I had earplugs. It's really nice to go back and revisit that evening where I can actually hear the instruments in good quality (and in stereo!). Thanks for making this.

SD > WAV(48/16) > FLAC(16)